novel

Redshirts

Book Notes Written with a loving hand by kitt some time around 19:55 on 6 July 2020

Okay, yes, I know that I have said, on numerous occasions, if Scalzi writes it, I will read it. That is just the way it is, no arguing.

Except I hadn't read this book. I had actively chosen not to read this book. Why? Because the reviews said it diverged from the classic science fiction that Scalzi is known for, and if I wanted to read not-science-fiction Scalzi, I'll read his blog. So, I skipped it.

All the way until Rob commented that it was the perfect brain candy and he hadn't laughed this hard in a while (who knows if that while is more than I day, I don't, because getting Rob to laugh is a goal of every conversation), and I have already read it wait I haven't well I should. So, as soon as I was done with The Gates of Fire (which I recommended to Rob), I started Redshirts.

Is not classic Scalzi science fiction.

Is amusing.

Yes, the Redshirt phenomenon from Star Trek is the title of the book, and yes, the characters figure this out, but there are more absurdities in the plot, resulting in an internally-consistent and thoroughly-absurd plot twist (time travel back to the authors) that is the cause for the original fanboy uproar that kept me from reading the book. It wasn't so bad. I enjoyed how all the pieced tied up nicely at the end.

Worth reading if you're a Scalzi fan, or a quirky science-fiction fan.

Dahl paused a moment before answering. “Do you know how the rich are different than you or me?” he asked Duvall.

“You mean, besides having more money,” Duvall said.

“Yeah,” Dahl said.

“No,” Duvall said.

Gates of Fire

Book Notes Instead of being asleep at 12:28 on 3 July 2020, kitt created this:

This book was recommended in a recent Ryan Holiday's book-reading newsletter. He had read the book 14 years ago, recently reread it, and was impressed with all the nuances of the book. Along with The Road, I picked up the book from the library. Related: I'm pretty sure that I read the Reading List emails faster than most people on the list, as the books Holiday recommends are usually available when I look for them, and have a backlog of holds about a week later. Is amusing to me.

The book is the telling of the Battle of Thermopylae, more commonly known in today's culture as the battle that the 300 Spartans held off thousands of Persian invaders. Now, I am REALLY not a fan of historical fiction, to the point where I might say the movie is better I dislike historical fiction so much, but, well, this causes me to reconsider my stance. The book is written in third person, and not third person omniscient, which means we see the characters' actions, but don't hear their thoughts. I suspect this is why I enjoyed it, it was a story that didn't go too far.

The basic plot of the book is, well, the Battle of Thermopylae. That story has been told many times, in many mediums. I found the surrounding elements of the book engaging. Pressfield gives us many lessons of Stoicism in the book, while wrapping them into the story, without the dryness of a textbook or the boredom of a lecture. He gives us

The Road

Book Notes Written with a loving hand by kitt some time around 22:47 on 17 June 2020

This book was recommended by Ryan Holiday in his June reading list. It sounded interesting, so I borrowed it from the library, read it, and here we are.

The struggle in this book is man against nature in a post-apocalyptic world which seems to be some sort of ecological disaster that blighted the world. Many scenes include ash and melted roads, along with the two main characters, a father and his son, covering their faces with masks so that they can breathe. The disaster is such that it appears there are very few people left, and the ability to grow crops or feed is pretty much gone. The remaining people are struggling to survive, which includes resorting to anything edible, including other people.

The journey of the father and son is to the ocean. They are moving along with a shopping cart, trying to survive. They appear to have been doing this together for six, eight, maybe ten years, since the boy was born, and the ocean is some level of salvation. Except it really isn't. It is more like "something to do that provides some level of meaning."

I can see where the book would be more emotional if, say, a parent is reading the book and is thinking of their child when reading it. I lack that perspective, so some aspects were perhaps lost on me. What wasn't lost on me was the portrayal of flowing empathy and refused kindness. The boy wants to help, the father knows they can't. The boy is angry the father refused to help some people, the father fears losing his son's love as the father chooses their survival. It's a hard choice, too willfully lose your humanity to keep a loved one alive.

The book is worth reading, but I'm not sure it would be one of my first books to recommend.

Across Five Aprils

Book Notes kitt decided around 19:11 on 10 June 2020 to publish this:

Because I wasn't done reading books I should have read, but didn't, in junior high and high school, nor was I done reading historical war fiction, I picked up this book. Well, that, and because it was recommended as a book that illustrates different aspects of the Civil War (Abe's a babe!). The Killer Angels was also recommended, so both entered into my reading list in the fast track.

The five Aprils of the title are the five Aprils that the Civil War spans. The story opens with an introduction to Jethro Creighton, a white Southern Illinois 9 year old boy who farms a plot of land with his father, brother, three brothers (might have been a cousin in there), and sister. There had been several other siblings in the mix, but death came to at least four that I was paying attention to (illness for three, wagon accident for one). His mother, Ellen, couldn't read, but Jenny, his sister, could. The whole family works the farm in some fashion.

While reading the book, I was struck with how much the book smacks of Early American Stoicism: work needs doing, so do it; life sucks, you carry on; tragedies happen, appreciate the bounties. The book was published in 1964, which makes me wonder if this is more "This is how we think people thought back then," more than "people actually thought this way back then." I had the same question when reading The Little House on the Prairie. Was that really the prevailing mentality? Or are we fictionalizing it the same way Gone with the Wind fictionalized "It was about state's rights!"?

Deathless Divide

Book Notes Written with a loving hand by kitt some time around 10:14 on 7 June 2020

While reading The Killer Angels, I found myself in a fit of "gosh, I want to read fiction right now." I had enjoyed reading Dread Nation, and recalled a sequel was coming out. That thought, along with the so f'ing long overdue recognition of racial inequality in this country, meant reading this book next was a no-brainer.

And it is so very much worth reading, recommended with delight.

Yes, there are zombies in it. Yes, there is heartbreak in it. No, there isn't a happy ending. Yes, there are many, many social commentary digs at both being a woman, and being black. And yes, there were black people in the Wild Wild West, which was a comment that Ireland makes in the author note at the end of the book, though you wouldn't know it from most of the other western fiction books out there.

This book follows immediately after Dread Nation, with Jane, Katherine, and a number of other Summerland residents fleeing the zombie hoard that broke out in town. What we learn in this tale, which alternates between Jane's and Katherine's perspectives (a style I enjoyed very much), is that Gideon Carr, the rich white boy from the previous book, has a significant part to play in this tale, and that one needs friendships (a lot).

As learned in The War for Kindness, fiction is a gateway drug into empathy. I feel this book does a gentle introduction into the crap a woman deals with as second class citizens, and barely starts to introduce the worse crap non-white people have dealt with in this country.

While I recommend this book more than I recommended Dread Nation, the first is needed to understand this one. Read them in order, if you decide to read them.

Nerve Damage

Book Notes Yeah, kitt finished writing this at 22:12 on 3 June 2020

This book was a micro.blog book-recommendation-week recommendation. Many of the recommended books were "hey look, my god is better than your god" books, which are less than remotely interesting to me, and I would say actively off-putting. This one was recommended by a reader who reads a lot and has thoughtful reviews (unlike my reviews here which more more "how I came upon this book and did I like it"), so I picked it up.

The blurb on the back of the book is pretty accurate. Roy Valois is an accomplished artist, finds out he has maybe four months to live, and seeks a peek at his obituary. Apparently obituaries are pre-written for sufficiently famous people (which lends momentum to the idea that maybe everyone should write their own obituaries, see how that works out), and, according to this (fiction) book, the New York Times is sufficiently easy enough to hack into that you can read them.

What follows is the death of a couple people, followed by the not-so-great investigating of said deaths, followed by twists and turns and a very strange ending (that fits, is just ... odd).

I can't tell if this book is an early book by Abrahams (there are three Peter Abrahams authors at quick count, pick one), but I'm not a fan. I didn't like the writing style. Didn't click. I was mostly annoyed at Roy's actions, like he was a little dumb and emotionally stunted. I don't know, maybe it was something else.

If you're trying to read all of Abrahams' works, sure, read this one. Maaaaybe it is desert island material, but not really. Skip it.

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