Dark Sacred Night

This is book two of the Renée Ballard/Harry Bosch crossover, which is really the transition of one lead character that I like, Bosch, to another lead character, Ballard, that I am less fond of. I mean, in the Bosch books, you know there will be tunnels and the bad guy is a cop. With Ballard, you know that she has a messed up childhood, was the last person to see her dad go out surfing never to return, and doesn't really keep her dog well cared for, mostly.

That I took no notes from this book probably says something about my enthusiasm for the book. Or that I lost the notes. One of those things.

So, here we have Bosch trying to work an old case. I know, unsurprising there, quelle surprise, all that.

Ballard, also unsurprisingly, is still on the late shift, catches a murder, shows that it isn't a murder, but hey, two expensive paintings are gone.

The thread through all of the book is Bosch's death of Daisy Clayton, given that he helped her mother, Elizabeth, come clean. IDK, the death of a kid kinda sticks, so we know that even though Elizabeth is back, she won't be for long.

The book was an easy, fast read. If you're a Bosch fan, he's still working on things in in this book. Ballard is kinda super-human, which takes some of the intensity out of the books. We know she is going to live, Connelly isn't going all R.R. Martin on us. Worth reading if you're a Bosch fan or completionist. Not a series necessarily worth starting otherwise.