novel

I had this book in my hold queue for a long time before I released it and it dropped into my read queue. I'm fairly certain it was on a Book Riot young adult book, but it has zombies in it, so, yeah, I read it.

This was a very fun read. The premise is that a zombie epidemic starts sometime during the Battle of Gettysburg, which lasted three days in our timeline, a different amount in the America of Dread Nation. The Civil War ended as the living now united against the dead. Except the attitudes and idiocy of the times didn't change, the slave owners still believed the slaves weren't people, still believed they were somehow entitled to subjugate another person, still believed in their own collective superiority. In this world, the ex-slaves and Native Americans were forced into combat schools, where they were trained to kill the dead.

Of course. Because once you have entitlement, you can't not have that entitlement until said entitle-ees are dead (typically of old age, tbh).

ANYWAY.

This was a fun read. Ireland portrays the prejudices well, gives us a heroine we can root for (root for, verb, informal, support or hope for the success of (a person or group entering a contest or undertaking a challenge): the whole of this club is rooting for him), and creates action and mystery at the same time. The letters to and from the heroine and her mother are heartbreaking in a way, but further the plot in a good way.

If you're into zombie fiction, this is a good book to pick up. If you're not into zombie fiction, you might still enjoy the heroine's sass, the book is worth reading.

“What happened then?” I asked, because there’s nothing better than the memories of others when you’re little and have no stories of your own.
Location 75

I am unsure where or when I picked up this book. I've had it in my pile for a while now, and picked it up when the slower, non-fiction I've been reading was starting to disinterest me. The book was a slower read than I expected it to be, but I'm unsure where my expectations came from.

The book is about Charlie, a lawyer in Small Town, Georgia, and daughter of a defense lawyer, Rusty, who believes that all people deserve a defense, especially those found guilty in the court of public opinion and unlikely to receive a fair trial or vigorous defense otherwise - you know, the lawyer who is guaranteed to make enemies.

Said enemies take out their vengeance on Rusty's family, and there we have the set up for the main character's demeanor, struggle, conflict, strengths, and development.

This is the first Karin Slaughter book I've read. Mom's favorable opinion of Slaughter's writing influenced my reading the book. There were a number of places where I nodded in understanding of some of the characters' actions, so Slaughter's writing is believable and understandable, which is great.

I just don't know that I'm a better person for having read this book.

Stay with me.

Many of the fiction books I've read have a moral to them. If they lack a moral, then they might contain some incident that causes reflection, a pondering, something to consider that affects the reader's life. Take the Imperial Radch series, for example. Leckie writes about privilege and power and how they manifest corruption, all in the framework of a space opera. Heinlein books were all social commentary.

Claire recommended this book to me when I was stuck in a mental loop last October. She handed me her copy of her book and recommended it as a fun read when what one needed was a fun read.

She was right. This is a fun read.

It is a space opera of sorts, too short to be an opera per se, more like an operetta, a mini-saga if you will, of a wormhole puncher, a small vessel that punches through space and time to make travel routes for the rest of us.

World building is never an easy task. World building when you're trying to have plausable physics is harder. World building when you're trying to have plausible physics and plausible biology is even harder. Chambers does a great job, even if some of the "here, let me explain this to you" sections are a little forced. Having a new shipmate makes explaining things easier.

Ashby is the captain of the Wayfarer, and was nearly completely what I imagined Corey's Expanse's Holden to look like, really. Which isn't fair, as I think Ashby was supposed to be darker skinned. The rest of the characters had bits of other media parts spliced together for me: Kizzy was Firefly's Kaylee, Jenks was Song of Ice and Fire's Tyrion, Ohan was A Fire Upon the Deep's Tines. The amalgamation worked for me.

The book read like a series of episodes, which was actually nice, as the whole book made for a season arc.

I enjoyed the book. It's worth reading for anyone who enjoys a good science fiction read.

But with the last of her savings running thin and her bridges burned behind her, there was no margin for error. The price of a fresh start was having no one to fall back on.
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This is the third (and a half) book I've read by Fredrik Backman. With such a long title, I can't say I would have chosen to read it, even with liking Backman, but no, I'm kidding there, I would have read it if I had known about it. Fortunately, my family knew about it and let me know about it, and it's adorable.

Imagine having a cranky old grandmother who is just awful and awesome at the same time. Now imagine being seven, almost eight, and having a mind of your own and the enviornment where you can speak it. Okay, okay, you're considered weird, and are in trouble a lot, and the school kids pick on your ALL THE F'ING TIME, but Granny!

Okay, not really.

Anyway, smart kid, dying grandmother, a mystery to solve, and a life to unfold. As kids, we don't realize that the adults around us have a history before us. Backman writes that clouded view and gives us a child's view of navigating grief and anger and life.

I enjoyed this book. The storytelling slowed me down a few times, I had to reread parts, and skipped over small parts when I was tired and figured the details would come back later when I needed them. It's a cute story, worth reading.

She shouldn’t take any notice of what those muppets think, says Granny. Because all the best people are different—look at superheroes. After all, if superpowers were normal, everyone would have them.
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“Stop fussing. You sound like your mother. Do you have a lighter?”

“I’m seven!”

“How long are you going to use that as an excuse?”

“Until I’m not seven anymore?”
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