Harry Bosch, Book 15
With the speed that I have been reading these Bosch books, you'd think that I really enjoy them. You'd be somewhat right, I do enjoy them, but not necessarily really enjoy them. They are entertaining, to be sure.
So, in this book, as in thirteen of the last fourteen books, someone dies and there are tunnels. I know, I know, you're expecting me to say, "AND A BAD COP DID IT." Well, sorta. Read the book to understand what I mean. The series definitely took a right turn in the middle of it to a point of complete "Wait, WTF. Did that just happen?" The emotional stuntness (is that a word? it's a word now) of Bosch (okay, of Connelly's portrayal of Bosch) is stunning. The man cannot describe emotions to save his life. There is a dark abyss of raw pain that people descend into at certain points of their lives. That Connelly was unable to describe it well leads me to believe that Bosch's "mission" is a cover for his sociopathy. Here, let's look at Wikipedia's definition:
Psychopathy (/saɪˈkɒpəθi/), also known as—though sometimes distinguished from—sociopathy (/ˈsoʊsiəˌpæθi/), is traditionally defined as a personality disorder characterized by enduring antisocial behavior, diminished empathy and remorse, and disinhibited or bold behavior.
Antisocial? Check!
Diminished remorse? In this book, check!
Bold behavior? Check!
I understand the plot minimized the time available for any kind of mourning in the book, but come on, Bosch does not do emotions (or Connelly can't write them, I don't know which, as I don't know if being emotionally stunted is a deliberate creative choice).
Look at me, finally analyzing the characters!