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Half-Resurrection Blues

Book Notes

This is the first book of the "A Bone Street Rumba" series. I picked up the book after a second recommendation for it, one from Claire and one from the XOXO slack. One of the strong recommendations from both was, "listen to this book." The book is read by the author, whose voice caresses the listener as it takes the listener on a wild ride.

So, I listened to this book more than I read it. The audio version recommendation? Totally worth it.

In this book, we are introduced to Carlos Delacruz, an in-betweener who is half-alive, half-dead. He worked as an agent for the New York Council of the Dead, a vague power group who directs its people to reap souls to keep the dead in the underworld, and the living out of the underworld. We learn about Carlos as he vaguely recalls things. He doesn't recall his life before his resurrection. He follows the rules of the Council. He leads the dead back to the underworld, or reaps their soul for the second death or some such.

At the beginning of the tale, Carlos meets up with another inbetweener, wait what, there are others? and kills him, per the order of the Council. Turns out, on his dying breath, the guy Carlos kills asks Carlos to watch over his sister, Sasha. Another wait what? She is also an inbetweener. And apparently very very hot. Of course they hook up. But what is this pull and what are all these ngks? Well, the ngks are tiny, exercise bike riding spirits with a hive mind contracted to kill an old spirit in order to open the entrance between the Underworld and the real world. They're kinda mean, too.

So, Carlos uncovers his past, Sasha's past, what the ngks are, who is orchestrating the opening of the Underworld, and just how meh the Council is. The book is a fun read, worth reading / listening to.

Network Effect

Book Notes

Finished this one in two days and, unsurprisingly, adored it as much as I enjoyed the previous four books. I picked it up when my frustration with The Making of a Manager grew too large, and Ginsberg's My Own Words would not sooth the agitation of the previous book. Sometimes you need an adventure to cleanse your palette of the crap that is incompetence and surveillance, and even RBG can't do it. Enter Wells and Murderbot.

Following Exit Strategy, Murderbot is in the employ of The Preservation, and is off on a full-length adventure that lasts more than one short mystery (read: novella) solution. He (It?) is tasked with taking care of Mensah's daughter on her first expedition, which goes sideways (because Murderbot).

This book is just so delightful. We have mystery. We have emotions (shock, even from Murderbot)! We have a plot that just doesn't stop, absurd situations that are, as ART says, "unreal," and laugh-out-loud deadpan humor that I love.

Basic plot: Murderbot is on an expedition with Amena, who didn't originally like Murderbot because said SecUnit interfered with a tryst that was going to go bad, but Amena being young didn't realize was a con by a Corporate spy. Of course, bonds forged by trial, aliens, spaceship attack, and all, and Amena and Murderbot like each other. Along the way, that asshole research transport returns, we go off to find its crew, a few more Preservation crew show up, along with a few grey men, and hilarity ensues. No, really, the hilarity in the writing of the Murderbot dialog and thoughts is fantastic. None of the quotes I pull out are amusing when isolated, and hysterical in context.

I enjoyed these books so much. I'm glad there's another book following.

Lovecraft Country

Book Notes

While sitting at the dining table at Chez Oliphant, Claire and I started talking books. I suspect we started talking about books because I was lamenting not having any good road trip books, and I was about to start a four day road trip. Well, for solo road trip books, Claire has some great recommendations. This one came out because I had recommended the Dread Nation sequel (zombies!), and Claire countered with Lovecraft, or rather Jim Crow South with Cthulhu. Go on...

Turns out, while there are elements of Lovecraft in the book, the book is more an homage to Lovecraft than a Lovecraftian fan-fic. It reads like a serial, with eight separate stories, each tangentially related to the others, told in sequential order, each with different characters as the focus. There is an over-arching plot, which works very well with the satisfying ending (good guys win! rah!). The Jim Crow parts were uncomfortable reading and that is likely the point. One of the stories didn't interest me at all, but the uncomfortable parts relating to abuse of power were worth sticking with.

I think Claire's review sums up the book well: "White people were all, 'Gasp! Ghosts???' and the black people were all, shrug 'Ghosts. Sure, okay.'" The Wikipedia article sums up the individual stories well. If you like urban fiction with a hint of Lovecraft, and want to sit with racial difficulties (yes, you do), this is a great book to pick up. So great that it is a mini-series. I suspect the book is better, but haven't seen the show, so don't know.

Weird

Book Notes

Okay, when your tribe recommends a book, and an Internet Personality™ who has not failed in his book recommendations for you recommends the same book, well, you kinda have to read said recommendation. This book is that recommendation. This book is worth that recommendation.

Here's the thing, when you are the odd one out, when you are the weird one, your life is more difficult than the lives of those who fit in, who make friends easily, who aren't teased for being who they are, who don't stand out. Khazan understands, having been the weird one. She goes through how it feels to be weird, retells her journey, reviews many others' journeys with being weird, tells us there is strength in our weirdness, and lets us know it gets better. It does.

There's a cadence to this book that is welcoming, like sitting with a friend you've known for decades at a quiet cafe in a small European city and talking for hours. It's a nice feeling. During that conversation, Khazan tells us about the inverse correlations between societies' conformity and freedoms, about how different opinions lead to better decisions, about how being outside is a strength, and about how you have the choice to confirm or stay weird.

I enjoyed this book, and likely would have devoured this when I was 11 years old and crying that I just wanted to be normal, why wasn't I normal? I've found peace in my gracelessness, in my dorkitude, in my being the only girl in a group of "hey guys!" but it took a long, long time to find that peace. I would argue this book many years ago might have helped me accept myself faster. For that, I recommend this book to anyone who is even just a little bit weird. I'd tell them, "It's okay. Here, read this one, and Grit and let's talk."

The Last Emperox

Book Notes

This is book three of Scalzi's Interdepency and much like the first one in the series, I picked up the book and pretty much read it straight through, with a couple pauses to, oh, you know, work and sleep. In reality, after reading Redshirts, I wanted to keep reading Scalzi, despite having several books going already. That's the way it is sometimes.

So, a few things about this book.

1. Scalzi is taking notes from George R. R. Martin, and I don't like it. I had to read that Martin-esque part over again three, maybe four times, skip to the end, come back, read it again, and, did I mention I don't like it because I'm sure I did. Sure, yes, good plot point, nice foreshadowing, interesting twist, and I don't like it.

2. There is likely a reason the name Kiva and the name Kitt are so fucking similar that you can't fucking help but fucking notice the fucking similarity. You can guess which character's storyline I enjoyed reading the fucking most. And no, my mother does not fucking talk that way, thankfully.

3. I absolutely love how many times in this book in particular, a character would stop and, while being upset at something another character said, recognize that the shit thing that came from the other character (words, gestures, advice, the like) was actually fair. Authors often have verbal tics, words or phrases repeated so frequently in a book that they stand out. I don't recall any of Scalzi's other tics offhand, but this one stood out. I liked it. I rather wish more people were able to separate the message from the messenger and appreciate the feedback being given.

Redshirts

Book Notes

Okay, yes, I know that I have said, on numerous occasions, if Scalzi writes it, I will read it. That is just the way it is, no arguing.

Except I hadn't read this book. I had actively chosen not to read this book. Why? Because the reviews said it diverged from the classic science fiction that Scalzi is known for, and if I wanted to read not-science-fiction Scalzi, I'll read his blog. So, I skipped it.

All the way until Rob commented that it was the perfect brain candy and he hadn't laughed this hard in a while (who knows if that while is more than I day, I don't, because getting Rob to laugh is a goal of every conversation), and I have already read it wait I haven't well I should. So, as soon as I was done with The Gates of Fire (which I recommended to Rob), I started Redshirts.

Is not classic Scalzi science fiction.

Is amusing.

Yes, the Redshirt phenomenon from Star Trek is the title of the book, and yes, the characters figure this out, but there are more absurdities in the plot, resulting in an internally-consistent and thoroughly-absurd plot twist (time travel back to the authors) that is the cause for the original fanboy uproar that kept me from reading the book. It wasn't so bad. I enjoyed how all the pieced tied up nicely at the end.

Worth reading if you're a Scalzi fan, or a quirky science-fiction fan.

Dahl paused a moment before answering. “Do you know how the rich are different than you or me?” he asked Duvall.

“You mean, besides having more money,” Duvall said.

“Yeah,” Dahl said.

“No,” Duvall said.

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