novel

The Hanging Tree

Book Notes

This is book 6 of the Peter Grant series.

I really enjoyed this book. I'm unsure why I enjoyed this one more than the others, and I enjoyed the others. Maybe the plot was more action, less internal thinking? Unsure.

This one has Peter tracking down the drugs involved in the death of a teen in an expensive, and empty, unit of One Hyde Park. A child of a river is involved, which said river would prefer not disclosed (doesn't happen). We also learn of another pocket of leftover magic pracitioners, passed down from mother to daughter for generations.

And there's search of the Third Principia, Newton's tome on magic. Oh, and the introduction of Guleed, a female Muslim cop who does just fine.

I will probably read the book again in a few years, and realize why I like this one more than the others. In the meantime, this is a "if you're reading the series, keep reading, this is a fun one."

I recommend the series in general. Start with Midnight Riot.

I waited about a minute, just so I could claim I’d waited five, and then headed back up the garden.
Page 4

Olivia glanced at the picture, then sideways at her mother, and I saw her make the wrong decision. But, before I could say anything, she opened her mouth and stuck her future in it.
Page 18

Guleed always knew how to keep her mouth shut, and had this mad way of just fading into the background whenever she wanted to. Well, we all have our ways of dealing with difficulties — mine is to ask stupid questions.
Page 30

The Late Show

Book Notes

I picked up this book not because I was excited about the new series that Connelly (of Harry Bosch writing fame) was writing, but rather because book two of this series is a Harry Bosch book, and it made sense to read book one before reading book two.

My prediction before reading the book, once I realized the main character, Renee Ballard is a cop, was "Okay, murder, tunnels, and bad cops did it." I was not disappointed, but there was only two of those three.

The book follows a week or so of Ballard's time in the night shift of being a cop in the Hollywood Police Department. A large amount of Los Angeles, ala Bosch, which I enjoyed.

A couple of the timelines just didn't work for me. Some events happened way too fast, people do not heal as fast as they do in this book. Bureaucracy does not move as fast as they do in this book. Recovery from traumatic events does not occur as fast as it does in this book. The compressed timeline pulled me out of the book.

Which is fine. I enjoyed the book. I'm looking forward to the next Bosch book, which is out, but has a 3 month wait at the library. If you're a Bosch fan, this is a good one to read (the Bosch step-brother ones, eh, less so).

Ballard had been in the Dancers and knew the club got its name from a club in the great L.A. novel The Long Goodbye. She also knew it had a whole menu of specialty drinks with L.A. literary titles, like the Black Dahlia, Blonde Lightning, and Indigo Slam.
Location 328

Well, time to look up more books...

Lethal White

Book Notes

Okay, when J. K. Rowling writes, she uses a lot of words. This has been happening since book four of the Harry Potter series, and it carried over into this series.

Except, in this book, I didn't feel like it had too many words. So either I've become used to too-many-words, or Rowling's editor managed to convince her to trim the excess with this book.

I enjoyed this book. It isn't a short book, taking most people 11 hours to read, it took me a couple hours less, but that's still a lot of words.

The book starts off pretty much where the last one ended, Robin's wedding, and does a number of flashbacks and fast-forwards to tell the story of that day, week, month. The first part had a number of miscommunications and interfering people and George Costanza awkwardness that I almost stopped reading it. I kept going, and enjoyed the book.

There are a couple mysteries in the book, with the bulk following an unhinged Billy as he deals with memories of childhood violence that may or may not have happened, and a separate investigation of the blackmailing of a government official. I will admit to having spent most of the book trying to figure out what would have been legal six years before, and is no longer legal, and why that would be blackmailable. I suspect this was part of the delight of the mystery.

The Cormoran / Ellacott partnership works well professionally, but both of them long for the other in the book, which leads to a stressed professional relationship. I guess this makes for good tension in a mystery book? Maybe?

Anyway, if you're reading the series, keep going. If you haven't started, start at the first one and make it through the second one. These last two have been fun. Not Harry Potter books 1-3 fun, but adult action-mystery fun.

A Killer Harvest

Book Notes

Okay, while Mom and I were walking in Copenhagen (I love that I can say that), I mentioned how delighted I was with the previous Paul Cleave book I had read. She immediately and enthusiastically agreed with my delight, then tried to remember which of his other books she really liked.

Out came Libby and we scrolled through the list at the library, and this was on the list and this was the one she really liked. boom! onto my hold list it went.

I enjoyed the book. There was a small twist at the end, and a couple deux ex machina moments that were somewhat eyerolling, but I enjoyed the book. The timeline of things was completely unrealistic, no kid is going back to school after going from completely blind to revolutionary eye surgery to home in three weeks.

That a kid can go from no sight to depth recognition in moments was also a bit farfetched, too. And not having any infection after the craziness of the surgery bumbling? No.

But, hey, it's fiction. Found out it is Young Adult fiction, which made it fun. I wish I had known it was YA, as I would have approached it differently.

I enjoyed the book. Trust No One is better, but this was still a fun read. If you're a Cleave fan, definitely read it.

That’s the trick to this — keep moving forward fast enough to stop the bad news from catching up.
Page 20

His dad once said that bad news for everybody else is big news for the media. He would often say, It’s human tragedy that keeps them employed.
Page 22

"... your father fell from a great height. He would have died instantly. He wouldn’t have felt a thing.”

Only Human

Book Notes

I really wanted to like this book. I really enjoyed the first one, which made the second one worth reading. If this series were longer than three books, I would call this one the first of two bad books which would cause me to stop reading the series. The book isn't bad bad, but it is merely okay, which would be the first of two consecutive strikes needed for me to stop reading a series.

The book starts nine after the last one ended, with a dead robot left on Earth now working, Americans terrorizing everyone under the guise of "freedom," and our four intrepid heros returning from Esat Ekt. The storyline also folds back to immediately after our four Earth heros landed on Esat Ekt and are not allowed to leave, so we learn their history and why they left when when weren't really allowed to leave.

It's easy to see where Neuval was going with this particular book: he talks about us versus them and repressed populations and people being held against their will, stopped from leaving by a bureaucratic government and power-seeking people. The parallels to modern western culture and its direction are almost punched into the reader's face.

With Kara gone, however, the sass of the conversations are gone, too. Which makes the book less interesting. There isn't discovery and adventure, there's the tedium of life and the mundane. Both of which, sure, exist and are important, but not when I'm reading a young adult science fiction books about aliens and giant robots and the like.

And really, if it is so easy to recreate a person, memories, soul and all, why wasn't Kara xeroxed in this way and updated regularly?

Don't know!

If you're reading the series, read the book, finish the series. If you're not reading the series yet, read the first book at stop.

Kindred

Book Notes

This is another Caltech Bookclub read, I started reading it way behind the rest of the readers, so spent much of today reading to catch up. Aaaaaaaaaand, finished it in a day. I do like reading while treadmill walking.

Butler grew up in Pasadena, which is the connection to Caltech for the book club. Previous books were about Caltech scientists or Caltech research or by Techers. This one has a lot of Pasadena in it. It was neat to know where she was describing, even if the Pasadena and Altadena even I knew are as gone as hers.

Butler is known as a science-fiction author. While this book has unexplained time travel as a plot mechanism, no time is spent exploring the phenomenon, making this book not really science fiction in my categorization. It is, however, a seriously good commentary on human nature.

The main character, Dana, is transported back to early 1800s American South. As Dana is black, we read about the atrocities of slavery, as told from a modern person transported back to the brutality of the era. We see how we normalize horrible behaviours, often to survive. We see how we assume power, even when we are one of the powerless. We see how we don't see our own privilege, how seeing another's view is difficult, it not impossible.

I think what's lingering with me most, however, is the slow descent into acceptance that Butler weaves into the story. It reminds me a great deal what Mistakes We Made (but not by me) discusses about human nature: we are all frogs in the pot about to boil.

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