novel

Moon Over Soho

Book Notes

This is book 2 of the Peter Grant series.

Okay, yes, so my reading list contains a whole bunch of non-fiction books, to balance out the copious fiction I've been reading as of late. Except that I enjoyed Midnight Riot so much, that I ignored my entire reading list, expecting I could squeeze this book in before the next book on my list becomes due in 12 days. And hey, I managed it!

As I enjoyed the last Peter Grant book, I also enjoyed this Peter Grant book. The humour flavor isn't quite Dresden, clearly my reading yardstick for urban fantasy, but Aaronovitch still does the Talking To The Camera / Breaking The Fourth Wall style really well. The humour is drier than Dresden, but still great.

What I am particularly enjoying with the Grant series so far, other than the world building, the magic rules, Grant's scientific inquiry instead of mere acceptance of magic, and the dry wit, are the history lessons. Aaronovitch drops names and events into casual conversation and I'm left wondering, "Wait, what?" Off to Wikipedia I go, and, oh, there's the Great Stink, Tacitus, the sons of Mūsā ibn Shākir, and the Thief-Taker General Jonathan Wild. History lessons dropped into casual conversations that are completely fascinating!

I'm pretty sure once I finish the current 10 book reading list I have to clear the library holds I currently have, I'm going to rip through the next 5 Peter Grant books. Totally enjoying them, strongly recommended so far for fans of urban fantasy.

Midnight Riot

Book Notes

This is book 1 of the Peter Grant series. Finally, a wizard who isn't named Harry. No, wait. Finally a wizard series not in Chicago. No, wait. I give up, it's a wizard in London, not Potter, not Verus, not Harry, but loads of fun, and I am wonderfully delighted to find another modern-day, urban-fantasy, adult wizard series. This book was recommended on micro.blog, as the Rivers of London, which is the English title of this book. I thought, "Eh? Adult wizard not named Harry? Sign me up!"

I enjoyed this book enough to immediately check out book two from the library. I was planning on reading a few other books before reading the second one, but enjoyed this one enough to skip over the carefully curated to-be-read pile and read that one, too.

Right, so, this book.

Peter Grant is a a sucky cop in London. He happens to have a whiff of wizardly talent, which makes him qualified for an apprencticeship in the supernatural branch of the London police. He rather sucks at being a detective, missing a lot of details around him and being generally oblivious to much around him, but seems to do okay as a cop, with his size and such. His partner, a woman, however, is a fine detective, but has to work twice as hard to be seen as half as good.

Shock.

Anyway, Grant has a bit of wizarding in him, and is recruited, with his training actually being difficult. Imagine that, wizarding powers that take some effort and a lot of hard work, over the course of weeks and months and years, to build up. IMAGINE THAT.

I like Grant's science bent, too. "Well, that's nice, but HOW?"

I'm glad there are seven books (so far!) in the series. It's going to be difficult not to read through all of them in one sitting.

Saturn Run

Book Notes

Okay, with my renewed interest in many things Caltech, I learned about this book when I was looking at some Wikipedia page that referenced popular culture that included something about Caltech. I'll admit I knew about the big ones, Real Genius and the TV show Numb3rs. Books, however, I knew less so, with the exception of Contact.

This one was a new one for me, and, oh boy, am I glad I picked it up. I've enjoyed Sanford
book I've read so far, though I am deliberately avoiding the Prey series, because, eh, not really interested in those, more interested in the Virgil Flowers humour.

You can tell the Sanford parts reading Saturn Run, said definitely shows through. The characters in Saturn Run have a similar flavor. That the book starts at Tech doesn't hurt, either.

Basic premise: fluffy pretty-boy Caltech grad student is the first to spot a decelerating object near Saturn, and (because objects don't decelerate naturally in space), all hell^H^H^H^Hconspiracy theories break loose. Pretty much the US and China do a mad dash to Saturn to see what the hell this thing is. If not for the space race going on, we'd get there in a unified fashion, but, well, people.

The science in the book is lots of fun, and, much like The Martian, believable (which, I gather in the point, Ctein being Sanford's science guy). If you're not a fan of the science stuff, the long winded technical parts might suck for you. I thoroughly enjoyed them, and strongly recommend this book to my geeky friends who want a fun read. Non-geeky friends, read fast through those part maybe?

If you do read the book, note how quickly you discover that the fluffy guy really isn't so fluffy. Fun stuff.

The Heart Goes Last

Book Notes

Margaret Atwood is ON FIRE as of late, what with Handmaid's Tale being made into a Netflix something or other. I recall reading Handmaid's Tale when I was working in a bookstore in high school, the book having been handed to me by my boss (who was a woman, yes). When I said, "It was okay," thereby indicating that I didn't understand the true lesson to be learned, she commented that I would understand later. She was right, and I wish I could find her and thank her for trying to explain to me just how much we were / are considered second class, just because of our power to create life.

ANYWAY.

Atwood. This book.

The premise is that the world has descended into an economic depression that took out the east half of the United States far worse than the left half. Given only crappy jobs are available, and those provide barely enough to sustain our protagonists, when an opportunity to live in a walled off city where half the time you are a normal person with a good job, and the other half of the time you are a slave (prisoner, what-have-you) but both times you have food to eat so it's okay, the not-really-that-smart-woman half of the protagonist couple says yes!

Understandable to crave security in an uncertain world. Less understandable to give up complete autonomy (read: freedom) to get it.

Lest one think this is the serpent tormenting the first-sin woman, the male protagonist went along with the whole plan.

Aaaaaand it turns out to be a series of twists and turns and misinterpretations and intrigue and holy sh-t she was okay doing what, and he did what's it now?

I kept waiting for the next plot twist, for the person who was an agent to be a double agent or a triple agent, but apparently I've been reading too many mystery books lately (Narrator: she hasn't been reading mystery books, she just doesn't trust anyone these days).

Hello, Universe

Book Notes

This is a cute book.

It showed up on a number of recommended books lists, mostly in young adult fiction. After reading Love in the Time of Cholera, I wanted a quick read, and this one was (read it in one sitting). It was also fun.

Instead of the usual trope of "boy meets girl," we have the premise of "boy wants to meet girl, is too shy to do so," which Kelly writes delightfully well. While there are moments of bullying in the book (and, yes, the scenes frustrated me, as all power abuse situations annoy me), and the ending is a bit tidy, the book is a children's book, so we can both forgive and appreciate these quirks.

The book won the 2018 Newbery Medal (perhaps another reason I added it to the reading pile), so clearly I am far far far from the only one who enjoyed this book and recommend it.

“How come so many of your stories have boys getting eaten by stuff, like rocks or crocodiles?”

“Not all of them are about boys getting eaten. Sometimes it’s girls.”
Page 7

I only pray at night, because it’s my least favorite time of day. Everything is still and dark, and I have too much time to think.
Page 10

“Do you believe in fate?” Lola sat back.

“Oh, yes,” she said. “Certainly I do.”

“So you believe things happen for a reason?”

“Ay sus. Don’t talk with your mouth full. And yes, I do. I think good things happen for a reason. And bad things, too.”

Virgil swallowed. “Why do you always bring up the bad things?”

Love in the Time of Cholera

Book Notes

This book has been on my reading list for a while now. I thought it was older than it is, having been published in 1985, in English in 1988. When I think about it, I am not surprised this book is in my awareness, as it was popular when I was working in bookstores. 100 Years of Solitude is also on my list, also by Gabriel García Márquez, which goes to show you that, like The Beautiful and Damned, I keep reading the other book, instead of the one actually on my reading list.

Anyway.

This book is a love story. Sorta. It's also a book about growing old.

It is a love story that tells you that love sucks when it is an intense longing that lasts. It is a love story that tells you that love is beautiful and enduring when it is a reciprocated one that lasts. It is a love story that considers love as a disease, something to endure and recover from. So many different ways to view love.

The book was a slow read for me, which means either I was deeply invested into the characters, or the book had a lot of words (or both). Translators affect how readable a book is (the translation for Inkheart, for example, spoils the beauty of the book), which is why I'm unsure if the translation affected my reading speed also.

What I liked most about the book, however, was the flawed characters. Fiction books are made up, and in that making up, authors can create lovable if flawed characters who still Do Something Impressive™. In this book, we have Fermina Daza, the woman who fell in love with the idea of Florentino Ariza, but realizes said love is actually a fantasy. So, yes, wow, the recognition of love as a passion that often has no basis in reality, go Fermina.

Fifth Season

Book Notes

I have had this book on my shelf for over a year, and this week was the time to start reading it. I'm pretty sure it came into my awareness because the third book in the trilogy was being released and both the first and second book won the Hugo awards. So, bought, not read, until now.

The book opens with three three stories being told. The Fifth Season is a recurring but not periodic time of "catastrophic climate change." The people prepare for these upheavals, and for the most part survive them. The plot begins with a man triggering the Fifth Season to end the world.

Sometimes one thinks, "People," shakes her head, wonders if such an event might not actually be our unexpected end, if not in the same format.

Unsurprisingly, since the book won a Hugo, I liked it. The world building is great, the story telling engaging. At one point during the book, two of the storylines merged, so, unsurprising if you know me, I "skipped to the end" and determined that all three storylines merge, and was able to return to the place I left off and keep reading. There were a couple moments where I actually yelled, "No!" to a part of the story, so clearly the Reader is Invested™.

Strongly recommend this book. It's a beautiful if heart-breaking-in-moments book. I'll be reading the next one when it drops from my library hold into my checkout queue.

There is an art to smiling in a way that others will believe. It is always important to include the eyes; otherwise, people will know you hate them.
Page 5

Planetfall

Book Notes

This book, along with Dark Orbit were two books recommended by Daniel Goldsmith, as two of the books on Kameron Hurley's Five Books That Will Restore Your Faith in Humanity. Other than "recommended by someone whose opinion I value" and "is science fiction," I didn't really know what to expect.

The world building was great. While I didn't really understand the motivation of The Stranger (always need some conflict in a plot, and this one included the introduction of A Stranger™), and why everyone in the colony was okay with his incredible pushiness. Of course, it was revealed in the end, so that mystery was solved.

The main character though, wow, does Newman get some of the personality imbalances correct. At one point, her despair comes through so strongly I had to stop reading for a bit.

The book is clearly the first in a series, and I've read the second books is darker than this one, but the end of this one was good enough to be a stand along book. If you're a science fiction fan, this is a good read.

I think “majority” is one of my least favorite words. It’s so often used to justify bad decisions.
Page 18

The resurgence of this kind of religious talk makes the skin on the back of my neck prickle. The times it’s blossomed in the colony have brought us closer to self-destruction than anything Mack has kept hidden.
Page 58

Flame in the Mist

Book Notes

The sequel to this book is coming out soon, or was just published, or something of the sort, and is being promoted heavily, which means this book is also being promoted heavily. So.... no surprise it ended up on my reading list. I had, I don't know, enough non-fiction books read that a binge on fiction books didn't seem TOO out of character for me, and this one was available at the library, so, I read it.

Definitely a young adult book, though I'm not fully sure why I feel that way. Maybe the speed of the reading, maybe the uncomplicated words used, maybe the plot, maybe the characters themselves are young, maybe the lack of subtlety, I don't know. The book felt YA in a way that many YA don't feel.

Which isn't to say I didn't enjoy it. I did, it just wasn't a difficult read. Fast paced fluff, set in a magical alternate universe of feudal Japan. All the "women are property" and "boys fight with swords" and "this boy happens to have none of the usual hormones in him during his teens" stereotypes of how feudal Japan is viewed from the West.

Quick read, I added the sequel to my reading list, putting the hold out at two months. I'm somewhat invested in the characters, but not enough to drop everything. It's a cute book, and recommended if you're a fan of the genre or the author. If you want a great review of the book from someone writing a review and not just posting notes as I am, Alex Brown has a good one, which also lists more eloquently some of the reasons for my lack of enthusiasm for the book (because it's been done before).

Persepolis Rising

Book Notes

This is Book 7 of The Expanse series

Ah, yes, the Expanse series. Again, as before, reading this book was like coming home. Yes, the plot starts twenty years after the end of the last book, yes, the book includes Holden and his righteous ass, yes, everyone is the same and everyone isn't the same, twenty years changes a lot.

The ship is transferred to Bobbie, we all saw that coming. The dynamics of the power exchange are tense, we all, also, saw that coming, if only because we react similarly when our worlds shift, and James S. A. Corey, I mean, Daniel Abraham and Ty Franck, know how to write people.

I read enough "but I don't want to spoil it for you!" blurbs to know someone dies somewhere in the book, so I went ahead and read the plot summary on Wikipedia, which does spoil that particular plot point for the reader. I actively wanted to know so that I could read the book in peace, ymmv.

I noticed I started reading more slowly in the second half of the book, and recognized I was going it so that the book would last longer. I did enjoy the book (unlike Cibola Burn, which nearly turned me off the series), and would recommend the series to any science fiction fan (if only so that they could see Holden's actions at the end, so worth it).

In the time he’d worked with Winston Duarte, Paolo had found much to admire in the man. The high consul was intelligent, given to astounding leaps of comprehension on complex topics but still measured and thoughtful in his decision making.

Duarte valued the counsel of others but was decisive and firm once the information was gathered. He could be charismatic and warm without ever seeming false or insincere. But more than anything else, Paolo respected his total lack of pretension.

Pages