|burn||Burn any copy you find of this book, it is horrific.|
|mock||This book is awful. Don't read this book and mock anyone you see reading this book.|
|don't||Don't read this book.|
|desert||If you're on a desert island and are bored out of your mind, this book is okay to read.|
|fan||If you're a fan of this author / genre, this book is worth reading.|
|worth||This book is interesting, fun, entertaining, and thus worth reading. I would hand this book to a friend who asked for a _____ type book.|
|strongly||I strongly recommend this book|
|amazing||OMG, this book is amazing and/or life-changing, let me buy you a copy.|
Continuing in the Virgil Flowers series (I finished it too fast to even put it on my in progress reading list), this book starts out with f---ing Flowers on a fishing trip, with a murder happening on the next lake over (-ish). One of the things I do like about this series is that it's like like a kabillion crimes happen in a 10 mile radius. Minnesota is big, the number of crimes happening in this series isn't that unreasonable. Of course, the stunningly high solve rate does require a suspension of disbelief, but that's okay, because it's commented upon, and Flowers actually makes mistakes. Shock.
As appears to be a trend, there's a woman-to-have-sex-with in this story, which seems to be a thing in this mystery adventure series like the Reacher series. I'm relatively unsurprised, as I mentioned, given that, well, have to keep a reader interested and entertained. This book's conquest is a little more difficult timing-wise, which provides amusement. The conversations are entertaining, the need for sleep reasonable and the non-super-human antics are refreshing. Flowers doesn't even want to carry a gun, which, in my mind, makes him more likeable.
I'm still enjoying this series, and will keep reading until my stack of them runs out. Nothing like an inexpensive borrow from the library to encourage binge reading.
Moving right along with the Virgil Flowers series, I have to say that I am tickled I'm back up to 10 books a month by finishing this one. So far, both of the fuckin' Flowers books (a reference made inside the books) have been about 410-ish pages long, making them about a 5.5 hour read for me. Lounging around on vacation, these are just about right. And, I can get them from the condo association's library for free. Win!
What I am liking about these books so far, other than the fast-paced, amusing dialog, is the fact that Flowers isn't right the first time. He makes mistakes (OMG, unlike other cops) and he takes a wrong turn, and he guesses. Okay, fine, the author has written him to be human instead of super-human. The man needs to sleep, the man needs to pee. It's great.
This particular book had a few cases where I thought, "If the character finds these things weird, why doesn't he suspect this person?" And you know what? Hindsight is often clearer than live-sight, and we're the reader so OF COURSE we know what's going on. Except it isn't always clearer, and we don't always know what's going on, and the good guy doesn't always win. One could say in real life, the good guy rarely wins, it's the victor who just claims to be the good guy and writes history.
I enjoyed this book, ripped through it fast enough, even though the mystery was a little thin with some obvious plot holes. If I were giving stars, which I'm not, this one would be 4 of 5, and I would definitely say, keep reading.
A couple days ago, Mom had commented to me that I should start the John Sandford Virgil Flowers series. She had read them and enjoyed them, the lead character's wit and humour entertaining her. I had looked (casually, not intently) in the condo association's lending library for the first one, Dark of the Moon, without success and didn't think much of it. So, when Mom and I were at the giant bookstore in Kona yesterday, she found the book, and handed it to me to buy. Bookstore. Recommended book. Place to donate the book when I was done so that I didn't have to lug it home at the end of my vacation. All of this was leading nicely to a "Yes, please."
Boy, was I glad I bought it. I started it last night, and finished it today. As is with most vacations that aren't ultimate frisbee or safari or Antarctica bound, I had a day of sick. That would be today, so having a book to read was fantastic. In this case, also very entertaining.
John Sandford has a Prey series about some Davenport guy. Virgil Flowers, the lead character in this new Dark of the Moon series, works for said Davenport (so, clearly, in the same world, which is nominally modern day Minnesota). He's a several times divorced officer of the Minnesota Bureau of Criminal Apprehension (I had no idea such a thing existed, and looked it up. Yep.). Flowers (that would be fucking Flowers, as we learn in the book, to Mom's immense entertainment) solves murders, as far as I can tell, 8-10 a year. This first one is located near his home town, involves women (like the Reacher books, I suspect, which is to say, a new one every book), what I would expect to be realistic male thinking ("look at the ass on that woman!"), a murder mystery (well, durrrr), and resolution. I suspect later books will have winter themes, given, well, Minnesota.
I enjoyed the book. I'll recommend it to action-adventure-modern-day-cop-murder-mystery-loving readers. It's not gritty like the Bosch books, less witty than the Longmire books, and still entertaining.
How delightful Mom found books 2 - 4 in the condo association's lending library, where book 1 is about to be added.
On this vacation of mine, I (unsurprisingly) have goals. One of the ones I added was, "Read a book or two." Ten days, yeah, I should be able to finish one or two books.
That all said, this is a quick read. It starts out (appropriately) confusingly, 5 people attending a group therapy. They all have severe trauma in their past, of different flavours, their stories revealed as the plot progresses. No one wants to talk about their past, but eventually they all start talking, become a group, and begin to tell their tales. I have to say that, while the Amazon / back cover summary is nominally complete, it gives away more of the characters than it should. Don't read said summaries. The plot is much better that way.
As said, it is a quick read. I enjoyed this book. Only after reading it did I realize the author of this book is the author of Raising Stony Mayhall, which is an odd juxtaposition. I'm finding RSM terribly boring and difficult to finish. In contrast, this one was fast, engaging and interesting. Another "Go fig."
I have this book if you'd like to borrow it. I'll happily loan it out, if you bring it back. It has a nice twist at the end.
No Walt Longmire collection is complete without this collection of short stories. Few (any? I can't recall) are mysteries (no, wait, at least one was), most of them being adventures of some sort, with all of them being further insight into the mythical world of Absaroka County, Wyoming.
The stories were originally published as Christmas stories for fans, and not available in collection form (or at all, maybe, depending on the original publications, none of which I'm actually bothering to track down, to be honest). I'm late enough to the Longmire train that they are available in one volume, which delights me.
Each story takes place in a well defined time in the Longmire saga. While they could have been entertaining to read properly in order with the full-length mysteries, I still enjoyed reading them all at once in the end, as I wait for Dry Bones to come out NOT SOON ENOUGH (cough, three weeks).
So, for any Longmire fan, this collection is totally recommended. I had a number of laugh-out-loud moments in the book: Johnson's wit is still sharp.
I'm not sure who recommended this book to me, likely Andy or Kris. The basic premise is that in a not-too-distant future (like, really not too distant, the world is pretty much shit, and humans interact in a virtual world, pretty much hermitting except for, well, not much. The creator of the virtual world technology dies, and leaves the inheritance of his vast fortune to the first person to find an easter egg hidden in that virtual world. The biggest issue with the easter egg hunt is the stunning size and complexity of the virtual world created.
The book is full of 1980s trivia, including more references to early gaming culture than I have seen in a long, long, long time.
It was a great, if somewhat awkward at times, read.
And as Andy says, "Was there ever a greater decade than the 80s?" The answer is, of course, "No."
Yep. Keep reading the series. The next book is due out in about a month. Shock! I preordered it.
This Walt Longmire book is another mystery book. It starts with a death. I have to say, I find it a rather relief in contrast from the Bosch books where the bad guy is ALWAYS A COP. Not in this series. I'm still enjoying the wit, cultural references and history lessons in these books. We finally see some emotion in the man, and, holy shit, his visions are actual, real life, physical entities! Hot damn! No, wait, no they aren't. It's weird. Worth reading.
What I find amusing in this particular book is that while, once again, Longmire is stunningly impossibly super-human in his physical endurance and recovery, in this book, EVERYONE ACKNOWLEDGES IT. Hallelujah, praise Hey-zeus, and all that. One really doesn't get shot, walk miles in a blizzard dripping blood from the open carotid artery, and manage to function just two days later. Doesn't happen. Yet, sometimes you need a hero, so the author gives you one, but reminds you with another character that, well, getting shot in passing in the gut really is a mortal issue needing attending. Not that you can tell with Longmire.
Did I mention the worth reading part? Well, I meant it. This series is going on the list with the Dresden books. Speaking of, when is the next one due out? Has to be before the next Song of Ice and Fire. F'ing GRRM schedule.
Okay, I found this book a bit hard to read. Not because the words or phrases are complicated or awkward; they aren't, it's an easy read, word- and style-wise. No, it was difficult because apparently I've been doing relationships all wrong. Well, primary relationships, anyway. At least according to this book.
Okay, maybe not ALL wrong. I'd been doing a lot correctly, tidbits and habits picked up over the years. The big things, though, those I'd been doing poorly. The one I smiled biggest at the recognition of doing well with is launchings and landings: a kiss good morning, a kiss good night, a kiss hello, a kiss goodbye. I've done will with seeking out the Boy when I return from our being apart, which goes with the kiss hello. That is my favorite habit.
The book has ten guiding principles, with ideas like the Couple Bubble, becoming expert managers of our partners, loving is up close so look your partner in the eye frequently (like all the time), and learning to fight fairly and never with a goal to win, but to understand better (well, fuck, where have I heard that one before). I've done some of them correctly, but failed miserably at the rest.
The book describes people's tendencies in relationships to be Anchors (securely attached, comfortable with who they are and the relationship), Islands (insecurely avoidant), and Waves (insecurely ambivalent). Having read Attached a couple years ago when it was spinning through the web development spheres, I recognized the different attachment styles. I've most definitely become an Island, though I hadn't really thought I had. This quote hit me in the gut, though:
People who are islands often confuse independence and autonomy with their adaptation to neglect.
I'm still mulling it over.
The happy examples in the book are great, as happy examples should be. The two-anchor couple sounds like bliss. Part of me suspects, however, that so much of that bliss sounds like choosing the right person in the beginning, and being lucky enough to be with someone not obsessed with the typical American cultural values, by which I mean youth over the wisdom of experience and the growth (read "aging") that comes with it, money over experiences, gratitude over consumption. Being with someone who is secure with who they are, able to be vulnerable, and willing to bring stability to the chaos of the Island or Wave, seems to be the way to a happy relationship for an Island, Wave or Anchor. Not really sure how someone manages to become an Anchor, though. And that's the kicker.
I recommend this book for anyone in a relationship. I'll likely read this one again. I expect to learn again in the next reading.
So, apparently, Johnson writes Longmire books for the fun of it. Sometimes they are short stories which are released, say, around every Christmas time, to be later gathered into a compendium for those who either missed the individual stories, or want to have them all in one place. And sometimes, when he starts writing a short story, it just sorta gets away from him. Or so, this is what he said when explaining the existence of the Spirit of Steamboat, a half-sized, not mystery, Walt Longmire book.
I have to say, I rather liked this book because it wasn't a mystery. It was a Walt Longmire adventure, which is great in its own right. But better than that, this book had the elements of suspense that, in this case, I would argue, were stronger than in the mystery books. And suspense in a good sense, too, the OMG OMG OMG KEEP READING READ FASTER sort of way that I like, not the torturous "omg what the f--- is going on I can't read this any more" sort of discomfort way that causes me to skip to the end of the book sort of way that I hate.
I was amused when Johnson had Walt hear the drums in the rotors and remark on them, given that Walt was surprised to hear the drums in the first of the Longmire series. So, either he didn't hear any drums in the intervening 22 years, or all the crazy antics between this book and book one of the series caused amnesia in the man. Both are plausible, given how much physical abuse Longmire takes when doing The Right Thing™.
Okay, I was somewhat excited to be reading a Walt Longmire book that didn't start off with some murder investigation. I mean, there are only so many deaths you can have in a small county before everyone, and I mean EVERYONE, notices and gets the fuck out of there. Okay, yes, some of the books were about escaped convicts, but even that resulted in a lot of death. And one particular story had only a stolen horse.
This one, the main plot premise doesn't involve the investigation into a death. Hot damn.
Once again, Johnson doesn't disappoint with a fast paced modern day, small down, western mystery. The clues were a little too obvious in this book as to what was going on, which, of course, leads the reader to think, COME ON, DON'T BE DUMB, at the characters. Of course, in Johnson style, Longmire has figured out what's going on, and it just playing along until the right time to expose his knowledge.
I really wish I would learn the art of playing along.
I enjoyed this book. I'm nearing the end of the written Longmire books, as there are only two left. I guess I'll have to wait for Johnson to write more. At least he doesn't write at GRRM pace. Gah, would suck.
One of the best things about my Mom's houses growing up was the bookcases full of books. I would often linger at the bookcases, pull out a book, and read it. It's how I like to read books: engrossed when I feel like this is the book I should be reading. It's how I picked Voltaire's Candide to read. It's how I picked this book to read.
Mom had suggested the book when we were in Portland last month. It was on sale. I bought it, and plunked it on my bookcase in the "haven't read, read at some point" stack of books. I picked it up late last week, and read it fairly quickly. I enjoyed it.
The book is a young adult book about an 11-turned-12 year old girl's life in the first months of the Earth's rotation slowing from 24 hours in a day to 72 hours in a day, and how the world changes to adapt, or not adapt as the case is with some people and places. Much of the gross (as in "total" not as in "disgusting") science is accurate enough to my understanding: the changing of the magnetic fields, the change of the radiation reaching the planet surface, the dying of many plants unable to adapt so quickly to the longer, hotter days and longer, colder nights. Many of the speculated societal changes presented were plausible.
Both of these, the sufficiently accurate science and the plausibly accurate changes in society, meant I wasn't distracted by the wrongness of the story background (I didn't have to suspend disbelief other than the initial "the Earth's rotation suddenly slowed"), and was therefore able to enjoy the storyline of the life of an eleven year old girl, told from look-back of a 23 year old woman.
It was a well-told story. I enjoyed the book. A fast, engrossing read.
For anyone else, I'd say, send the author ten bucks and borrow the book from the library. Or from me.
Wow, a book that isn't part of a series, doesn't have a lead character named Harry, and wasn't read in 3 days. Go me.
There exists a particular style of book in which nothing particularly exciting happens, the plot plods along, and the reader is supposed to, I don't know, bond with a character or two in the book. The Shipping News had this feel to it, as did Her Fearful Symmetry. The plot just sorta goes along, lives intertwine, foreshadowing is explained, and details planted in one spot reveal their nature in another.
In yet another post-apocalyptic world (I swear, I've been on a the-world-is-going-to-end-kick as of late), 99% of the people die, with it taking 20 years before a power grid will come back on and life can resume. Of course, there's the bad people and the good people in the book. Mostly, there are people trying to survive, some trying to remember, some trying to forget, everyone learning something new about people.
This book was far more positive about the end of the world than Wool was. With the plot jumping back and forth among various timelines, how clever that so many lives were intertwined in a way that belies believability, even as it possibly delights the author.
It's a mostly-good book, if you like the plodding, nothing really happens, life can still be interesting, sort of plot. If you like something to happen (12% more plot!), eh, go read something else.
THAT all said, I did make a couple notes of in the book.
"It's like the corporate world is full of ghosts... Adulthood is full of ghosts... I'm talking about these people who ended up in one life, instead of another and they are just so disappointed... They've done what's expected of them. They want to do something different, but it's impossible now. There's a mortgage, kids, whatever."
"You don't think he likes his job?"
"Correct. But I don't think he even realizes it. You probably encounter people like him all the time: high-functioning sleep walkers, essentially."
Okay, book eight of the Longmire series. While I thought I might be growing tired of reading these straight through, I was mistaken. The books are entertaining reads. The wit is great, though less of it in this one. The plot was clever in that the original murder was, then wasn't, then maybe was, a murder.
And gosh golly a crap tonne of people die in this series. Upside, at least this wasn't actually IN Longmire's county. That's the only upside.
This book has the introduction of another strong female lead, which is amusing in some sense, not so amusing in another. That "another" being the case where, well, in future books there are sure to be annoying tug-o-wars over Longmire, full of discomfort.
This book also reminds us of previous foreshadowing of not-so-great-things happening to Cady, also in future books.
Fortunately, those are in future books. This one was totally entertaining, and, for once, Walt didn't freeze something off or collect another crazy injury. Yay!
Unrelated to the book, HEY! Look! I'm in the second half of my goal of reading 52 books this year, and it's only week 13th, still the first quarter of the year. Yay!
I rather took a break from the Bosch books, and nose-dived into non-fiction books, work reading, and, well, the Silo books, leaving this one dangling in my started-and-not-finished in progress list. I came back to it today and finished it.
I can summarize it as "Classic Bosch."
Which is to say, "Murder Solved!" and "Tunnels!" and "Bad cop!" The elements that Connelly puts into every Bosch book, it seems.
This one was a little different, however, in that it had a couple twists that were unexpected (which is a great delight), as well as HARRY BEING WRONG. That's one of the better aspects of this book. Too many times in previous books, he just creates a theory and boom, it's the right one, mystery solved. In this one, he was wrong, and it makes him more believable as a character. I'm not sure just how many of these "unsolved cases that Harry just couldn't let go" Harry is supposed to have, but he's bound to run out at some point, right?
Yeah, so, if you're a Bosch fan, keep reading. This one was classic Bosch style, which, if you enjoy it, makes this a good read.
Okay, this is a book that you can find plot summaries, historical references, and literary commentary all over the internet. Some kids were required to read it in school, some into minute detail (looking at you, Wardog). Its social significance and public reception are well documented. Here, have a Wikipedia page on the book.
Madame Bovary has been seen as a commentary on the folly of aspirations which can be never be realised, or a belief in the validity of a self-satisfied, deluded personal culture, termed 'bourgeois' and associated with Flaubert's period. For Vargas Llosa, 'Emma's drama is the gap between illusion and reality, the distance between desire and its fulfillment' and as such shows 'the first signs of alienation that a century later will take hold of men and women in industrial societies'. However, the novel is not simply about a woman's dreamy romanticism. While it is true that Emma is lost in delusions, Charles is also unable to grasp reality or to understand Emma's needs and desires.
As for reviewing the book's contents, I related to the book more than I was expecting to relate to it. I found Emma to be annoying and melodramatic in a large number of her actions, but the motivations, ugh, I understood too much. I rather wish I had read the book years ago. The translation I read was by Geoffrey Wall. I read a few parts by another translator, and kept coming back to Wall's translation. It worked well for me. It was engaging enough for me to be able to focus on it for more than 30 minutes on the treadmill without noticing the time go by, which seems to be my new measure of "good" in books.
I recommend reading this book.
That all said, what I do not recommend is the crap binding of the copy I read. I love books. This has been well established. I love physical books. The heft of them, the smell of them, the entire experience of them. I buy hardback books if I have the opportunity, because the experience of them is superior to trade paperback books, which is superior to paperback books. As a result, I bought a copy of Madame Bovary, or the "Penguin Classics Deluxe Edition" edition of the book.
Penguin Books and Random House should be completely embarrassed at publishing this binding. It was CRAP. Hardcover books should be stitched and open flat. This binding was a glued binding, a trade paperback with a hard cover. It is complete and total shit. It doesn't open well, doesn't stay open. The spine cracked. The printing appears to be from a laser printer. All of it was a disappointing experience.
This particular binding of this book, and all "of Penguin’s beautiful hardcover Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, tactile cloth with foil stamped into the design" books should be removed from the shelves and burned in a great bonfire. They are crap.
I'm hoping to find a good hardback binding of Wall's translation. Something worth keeping on the shelf. My current copy is not.
I do not recommend the Penguin Classics Deluxe Edition edition of this book.
Recommended by Luke.
Okay, wow. When Luke recommended Wool (Amazon affliliate link), I had four other books going, and wanted to finish those before getting too far into Wool. I kinda wish I hadn't delayed. This book is great. Read the basic plot on the Amazon page, if you'd like. The back reads something like:
In a ruined and toxic future, a community exists in a giant silo underground, hundreds of stories deep. There, men and women live in a society full of regulations they believe are meant to protect them. Sheriff Holston, who has unwaveringly upheld the silo’s rules for years, unexpectedly breaks the greatest taboo of all: He asks to go outside.
His fateful decision unleashes a drastic series of events. An unlikely candidate is appointed to replace him: Juliette, a mechanic with no training in law, whose special knack is fixing machines. Now Juliette is about to be entrusted with fixing her silo, and she will soon learn just how badly her world is broken. The silo is about to confront what its history has only hinted about and its inhabitants have never dared to whisper. Uprising.
The thing about Hugh Howey's writing is that it's isn't eye-rolling absurd. Given the basic premise (societies living in underground silos), the characters are believable, the dialogue reasonable and the actions plausible. I really enjoyed that about the book, being able to be lost in the dystopian world for hours.
Of surprise to no one, including me, I enjoyed this book. I am very much enjoying Johnson's writing style, complete with historical references, literary quotes, and quick-witted responses.
This book was a bit different, in that the bad guys, well, were all bad guys. The actual deaths in this book were, well, righteous deaths, in self defense and by someone with intent to kill. There's one very major plot device that was entertainingly obvious, but acceptable, in the book. When I became aware of it early on, watching for the device to repeat itself made its appearance that more entertaining.
In this book, Walt nearly freezes to death. Again. You'd think that after nearly freezing to death saving the Cheyenne Nation the year before, he'd be less likely to put himself in the situation to do so again. But that's the thing about fictional characters: they can be larger than life, and survive.
And sometimes, you need someone larger than life to inspire you to do better in yours.
This, as all of the Longmire books, is highly recommended.
Related, at the end of the book is a list of character inspired books to read. I am uncertain if I'll read them all, but it's an interesting list:
- From Walt: The Grapes of Wrath, Les Miserables, To Kill A Mockinbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote, The Complete Works of William Shakespeare, anything by Anton Chekhov.
- From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War
- From Vic: Justine, Concrete Charlie, Medea, The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn's Phillies Trivia
- From Ruby: The Holy Bible (The New Testament), The Pilgrim's Progress, Inferno, Paradise Lost, My Antonia,
The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town
- From Dorothy: The Gastronomical Me, The French Chef Cookbook, Last Suppers: Famous Final Meals From Death Row, The Bonfire of Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and The Fury, The Maltese Falcon, Pride and Prejudice, Brideshead Revisited.
- From Lucian: Thirty Seconds Over Tokyo, Band of Brothers, All Quiet On The Western Front, The Virginian, The Basque History of the World, Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fisher: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here
- From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It, Kip Carey's Official Wyoming Fishing Guide
One reader additionally added: "I really like the postscript listing of these books, and I decided to try my hand at this game, looking for something to do with mountains, outdoors and great prose. And for titles not already mentioned by Johnson. Here's what I came up with: The Ice Palace (Tarjei Vesaas), The Book of Ebenezer le Page (G B Edwards), Butcher's Crossing (John Edward Williams), Trustee From the Toolroom (Nevil Shute), The Prince of Tides (Pat Conroy), High Fidelity (Nick Hornby),
The Shipping News (Annie Proulx) (and "meh"), Far Far The Mountain Peak (John Masters), Himalaya Tigers (Fritz Rudolph), an Ansel Adams photo album"
THIS is a fantastic book to read to learn about how to interview someone for research, whether it's market research, user research or design research. If you're starting out in the area of interviewing users, or need to understand how to structure interviews, read this book, by Steve Portigal, published by Rosenfeld Media.
The book gives an overview of the interviewing process, including a warning about being sure you're looking for what the client really wants, which may actually just be validation for something already done (the "gaining insights" versus "persuading the company" dichotomy), as well as a very specific roadmap on how to prepare and conduct user interviews. I love the reference to satisficing, a term given to "good enough" solutions where yes, the pain point exists, but the pain is less annoying than the effort to fix it. How many products are there that solve satisficing (satisfying + suffice) problems? I'd say TONNES and WAY TOO MANY. And likely, "not a product to build a company around."
The book has helpful information on building a rapport with an interviewee, documenting the interview, asking question and optimizing the interview. There are parts on how to ask questions, how to prepare for an interview, and what to do when adjusting the interview with the not-quite-perfect-fit interviewee.
The book's only lack is in the "how to analyze the interview data," yet even that isn't bad. There's an overview on how to start analyzing provided, along with references for other books to read. The analysis of interview data a whole other book, so I'm unsurprised the topic wasn't fully covered here, and nor would I have expected it to be.
Interviewing Users is a great book. If I had to start interviewing people for gaining product or market insights, I would happily reread this book and use it as a guide.
Okay, so this book should likely be the end of the Bosch series. He is back from retirement, because, as Connelly comments, no private detective ever solves a murder case, and Connelly wanted to keep writing this character. Of course he did, he already killed off MaCaleb, who sucked anyway (as a written character, I'm sure he was a lovely person in real life). Bosch makes Connelly money, of course Connelly wanted to keep the story line going.
Right, so, back from retirement, and working a cold case from 17 years prior. I'll give the ending away: IT WASN'T A BAD COP. I know, shock, right?
What this book did have, as a complete turn around from the usual Bosch books, was a leadership that supported him and closure. I suspect this book is a turning point in the Bosch series.
I enjoyed this book, even if I had identified the bad guy when he was first introduced to the plot. Recommended if you are a Bosch fan (yes, keep reading if you're already on the way).
Two books left until I have read all the Bosch books up to the one I bought in error.
This is one of the shorter Walt Longmire books so far. It was also different, in that the BIG CRIME (yes, still a murder) doesn't happen at the beginning of the book. The introduction by Johnson gave away some of the plot, which was a little disappointing, but the book was still a fun read.
One of the things I like about Johnson's writing is that he doesn't make Longmire out to be some super human who can take four bullets to the chest then stand up and beat the crap out of the bad guy. The injuries Longmire has sustained over the previous 5 books are a factor, and he keeps being beat up. Of course, Longmire still finds the bad guy, but he's moving far more slowly than before.
I also like how Johnson makes references to history in a passing way, like to the 6000 torches from Rome to Capua. The casual references amuse me, often having me off to figure out what they refer to. I'm enjoying it.
This book, and the series, is recommended.