Paul Cleave

I did not like this book.

I have previously like Cleave's writing, perhaps less than Mom does, but enjoyed it none-the-less. The first one I read of his, Trust No One, I really enjoyed. The second one less so. This one I actively dislike.

Why?

Because the main character is a sadistic murderer, and we hare supposed to feel sympathy for him because he got his ball crushed in a vise (yes, literally, I'm giving you a spoiler there) and he's being framed for a murder he didn't actually do. That is, one he didn't do. We're told to ignore the six murders and rapes he did do.

No. No no no. There is a lot of misery and pain surrounding those deaths (well, in the fictitious world there is, but there's enough around in the real world to be able to make the connection), and those are pretty hard to ignore with the basic premise of the whole plot.

Now, the social commentary part is a bit more interesting. Cleave weaves a tale of first impressions, how our prejudices blind us to reality, and how being able to see past our assumptions is crucial to surviving, even thriving, in this world.

That particular commentary, however, doesn't negate the horrid thought that we are to sympathize with an active and deliberate murderer.

Read Cleave's other books. Skip this one.

It was hanging over her heart when she drove her parents to the funeral home, sat down with the funeral director, and, over tea and coffee that nobody touched, shopped through coffin brochures, turning the glossy pages and trying to pick out something her dead brother would look good in. They had to do the same for the suit. Even death was fashion conscious.
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